![]() The study of Roman wall painting began in a systematic way with the discoveries of significant quantities of fresco paintings at Pompeii and in the greater Vesuvian region. Because of the excellent state of preservation of the paintings, it was possible to see a complete range of painting styles and to compare them to others for which there was no archaeological context. The definitive categorization of Roman wall painting into four “styles” was made on the basis of the Pompeian paintings. |
